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MARCH 2008

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XelaWho: We’ve never heard of you and we pretty much run this town. What do you do and how’d you get started?
Hike + Help: Two years ago, several young Guatemalans from Xela founded an NGO – Fomento para el Desarrollo Integral (FDI) – in order to improve development in their country. To facilitate the self-sustainability of FDI, one of the founders donated his established travel agency, Cross Country Tours, to the NGO in January 2008. Now called Hike + Help, the agency donates all of its profits to FDI. When you enjoy your adventures with us, you will receive top-notch service from Guatemalan guides and you can be sure that every centavo of the profits goes to fund the important work of FDI.

XelaWho: What kind of services do you offer?
Hike + Help: We offer hikes, tours and shuttles. Our hikes include treks to Tajumulco, Santiaguito and Lake Atitlan as well as lots of lesser known trails and volcanoes around Xela. Our tours bring you to the ruins of Tikal, magic of Rio Dulce, turtles of Monterrico, San Simon of Zunil, thermal baths of Fuentes Georginas, and local colonial churches. We run shuttles to Antigua, Coban, Guatemala City, Panajachel, San Cristóbal de las Casas and beyond.

XelaWho: Where does the money go? Don't lie to us.
Hike + Help: We've installed a library in San Martin Sacatepéquez for six surrounding schools and their communities as part of our Rural Libraries Program. In an area where books and general access to educational and recreational materials is almost non-existent, and discrimination against people with a rural education high, the library – more of a community center – aims to breed a culture of personal, academic and social development. We work very much WITH the communities, finding out from the families, teachers and children which resources would be most valuable to them.

To book a trek, tour or shuttle, or if you're interested in volunteering at the library, schools or office, call Hike + Help at 7765-0883 or email them at hikeandhelp@gmail.com. Additionally, they offer a free paper recycling
service. Just bring it by their office at 15 Avenida 7-41, Zona 1, Xela.


FEBRUARY 2008

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XelaWho: What is AIDG's mission?
AIDG: The Appropriate Infrastructure Development Group (AIDG) helps individuals and communities get affordable and environmentally friendly access to electricity, sanitation and clean water. Through a combination of business incubation, education and outreach, we help connect people with technology that will better their health and improve their lives—as well as provide access to basic services we think are crucial to breaking the cycle of poverty in the developing world. 

X: What kind of projects do you have going on right now and what initiatives are you planning for the future?
AIDG: The last few months have seen a lot of dynamic projects coming to fruition! We are really excited about the 'rocket box', an efficient portable wood stove that XelaTeco has just put on the market. We are working with the community of La Florida on a biodigester install that will provide methane cooking gas from animal waste, and this week we are also installing a ram pump in another worker-owned co-operative that will pump water to homes without the use of fuel or electricity. This summer we will be working on another large-scale micro-hydro project with the help of Engineers Without Borders. Additionally, we will be developing and installing new low cost small-scale wind turbines. We are always looking for new communities and local NGOs to collaborate with us on projects, so if you have any contacts that may be interested please contact us at guatemala@aidg.org.

X: What kind of volunteer opportunities are available?
AIDG: We're always looking for enthusiastic and passionate people to get involved with AIDG through our TecoTour programs. Next month, we'll be offering a tour program that will give participants the chance to travel with us to the communities we work in, see our work first-hand and get their hands dirty while providing some much-needed help. For more information on these tours email us at tours@aidg.org.


DECEMBER 2008

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JOSH MACY

Josh Macy is the head coach and a top player for Xela's new rugby squad, Xela Rugby F.C. We caught up with him in a cantina – he is a rugby player, after all – to talk about their upcoming matches and the future of rugby in Guatemala.

XelaWho: Rugby? In Guatemala? How'd this all get started?
Josh: Some of my Guatemalan friends and I were in a bar one night talking and we decided that Xela needed a different sport. A sport someone could play even if they weigh more than 120 pounds. The next day, we decided to go for it, practicing on a papifutbol field one half cement and broken glass and the other half dying grass. Xela Rugby F.C. was born.

X: Who comprises the team? Is it only for Guatemalans? Do you have to have played rugby in the past to make the team?
Josh: The team is mostly Guatemalans with a peppering of foreigners (The United States, Holland, Canada and England are represented). The idea is to develop Guatemalan rugby players, but foreigners and travelers are
welcome because they can add experience and help the people who play and live here year round. Anyone (from anywhere) is welcome at practice, and no experience is necessary - only a desire to have fun and play hard.

X: How many matches have you played so far? How'd you do?
Josh: So far we’ve lost our lone home match against Guatemala City, 24-7. Our rematch is scheduled for late November in Guatemala City. We match up well with them athletically, but they have size and experience on their side. We’re all looking forward to furthering the newest facet of the epic Xela/Guate rivalry. Man I hate Guate. Terrible traffic, mareros, and the stupid Rojos.

XWhat's on tap next for the team?
Josh: We’re looking to increase our recruiting in the coming months, as well as grow our sponsorship base. Also, selected players will be combining with the team in Guate to represent Guatemala in December to compete for the Central American Cup in Costa Rica against teams from Costa Rica and Panama.

If you’re interested in playing rugby in Xela, contact Josh at 5346-3454 or stop by the Inter-American school for practice on Wednesdays at 4pm or Sundays at 10am.


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SUSSAN VILLAGRAN

Sussan Villagran is a young Quetzaltenango-based photographer who is about to launch her first solo show at El Cuartito. XelaWho caught up with her to rap a little about inspiration, method and door knockers.

XelaWho: Does your work have a theme?
Sussan: There’s a few that run through this show - it’s pretty diverse, really. There are landscapes and streetscapes, events and people. Some are black and white, others are in color. While I was walking the streets, I started to focus on old door knockers and doors, so there are quite a few like that.

X: The name of the show is Justo a Tiempo. Can you tell us a little about that?
SV: A lot of things happened at the last moment. For example, I took all my photos for the exhibition on film and then put them in to be developed, but then the developers ruined the film, so I had three days to take all the photos again. Also, I was sitting looking at a doorway trying to figure out which angle to shoot and a woman came out of the house and got suspicious. She told me she was going to call the police, then went back inside. I took the photo and walked off and a few seconds later she came out again to check on me, I guess.

X: Do you have a favorite photo in the collection?
SV: There’s one of an old man asleep on a street corner near my house - I love the expression on his face. For another, we climbed to the top of the bell tower in the Cathedral to photograph the bells. We were supposed to ask permission, but couldn’t find anybody so we went up. Then an old man who was selling candles told us to get out or we’d get in trouble, so we took the photo and left - another example of just in time.

X: You work in digital and on film?
SV: I like them both for different reasons. With film, you have the excitement of not really knowing how the photo is going to turn out - you have to wait for it to be developed. With digital there’s none of that, but you do have a lot more options and you can do a lot more things.

X: This is your first solo show. Are you nervous?
SV: I’ve been in group shows before, but yeah, of course. More than that, though, I’m curious to see how people will react and what they’ll think of my work.

Justo a Tiempo will be showing at El Cuartito (13 Av 7-09, Z1) from May 7 to June 7


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ARTZENICO

Artzénico are an absurdist theater group that recently started performing around town. XelaWho caught up with members Bonifaz Díaz and Jordi Mollering to find out just exactly what the hell is going on here.

XelaWho: So who’s in the group?
Bonifaz: It’s a mixture of North Americans, Guatemalans and Europeans. We all come from different backgrounds in music and theater.
X: What exactly is absurdist theater?
Jordi: It’s a wide term, but what we do is take things from real life and put them into an absurd context, to highlight the reality.
B: We try to break the bounds of conventional theater and go against logic and reason.
X: What’s the show called that you’re performing at the moment?
B: It doesn’t have a name because it always changes. No two performances are the same.
X: But you have themes that you work on?
J: Mostly they deal with bureaucracy, politics and confrontation. They lend themselves easily to the absurd... we also just have ridiculous ideas that come from nowhere.
B: Our performances are like a mix between theater and poetry, accompanied by violin.
X: And what is the creative process like? Does everybody write?
B: Mostly. Someone comes with an idea and we work it through. We never have a text as such.
X: How have the audience reactions been?
J: Overall, pretty positive - most people seem to be open to new things and what we’re trying to do.
B: Sometimes you can see the reactions in the crowd - first, it’s confusion, then they think it’s funny, then they kind of get uncomfortable, then they tend to get it.
J: Sometimes people are disappointed. They expect a logical sequence to a performance and they get confused when they can’t find it.
X: Where have you been performing?
B: We’ve performed at El Cuartito. We’re going to keep playing cafés and maybe Spanish schools, but eventually we’d like to play more for locals, maybe go on tour...

There’s definitely no shortage of trova players (or Trovadores, as we say in the biz) around Xela. The thing is finding a good one. Hint: if they’re offering to wash your windshield, they may not be World Class. We wanted to find out what up wit dat trova thang, so we spoke to one of the busiest men in Trova Business, Omar Reyes…

XelaWho: When did you start playing trova?
Omar: About 6 years ago: I had phases when I’d play a lot, then I’d just stop.
X: Did you do any formal training?
O: No. We have a saying “the best Trovadores are made in the street”. I learnt a lot from friends and other trova players.
X: How would you define your style?
O: I’m definitely Alternative Trova. I like to mix in pop, romantic songs and rumba. I don’t do the political stuff.
X: Do you write your own material?
O: Some. I have about 10 of my own songs. I mix them in with covers of songs by people like Elefante, Ricardo Arjona, Juanes and Auté, a Spanish Trovador.
X: Has anyone in Xela been a particular influence in your style?
O: I’d have to say Fernando Juárez. He’s probably the best musician playing in Xela these days.
X: How do you see the live music scene in Xela?
O: Compared with 6 years ago, it’s great. Back then there were hardly any places to play, but now there are all these café / bars where we can work and play to different crowds. Places like El Cuartito, you get mostly foreigners, but then places like Bari the crowd is pretty much all locals.
X: Have you recorded your songs?
O: I’ve recorded a few, but I wanted to take a break, work on my playing and singing. I’ll go back to the studio when the time is right.

Players come and go, but in Xela there are a few who have paid their dues. Otto Mora is a Trovador and bluesman who has regular gigs around town, both as a solo act and with his band the Altibajos. XelaWho caught up with Mr Mora to rap a little about the past, present and future of the music scene in Xela.

XelaWho: How would you define your music?
Otto Mora: I play Trova, in that is poetry set to music, usually just one voice and one guitar. Sometimes we play blues songs with the Altibajos. The rhythm of a song isnt whats important to me, its the lyrics - I like songs that have a purpose, and whose words make you think, not simple songs that just say I love you or something like that.
X: Do you see a connection between Trova and the blues?
OM: Sure. They both speak about the same themes - about society, the human condition, work, race, discrimination, marginalization, injustice. These are the good songs, of course. Theres plenty of Trova and blues that doesnt say anything. They also have a poetic lyricism - the words are complicated. You may not understand them the first time, but when you do they hook you deeper.
X: Your biggest influences?
OM: Ah, theres a mountain of good Trovadores. Fernando Lopez and Jos Chamal anre two good Guatemalans. Silvio Rodriguez, Noel Nicola. Spaniards like Serat and Aut. There are lots of musicians who have left a mark on me.
X: Did you study music?
OM: I did. I started studying here in Xela. I enterd music college as a Marimba player, but I was kind of bored - we studied a lot of theory, which is important, but I honestly think that my best education has been playing with other musicians, no matter what style they play - you can always learn from other players.
X: How is it being a musician in Xela?
OM: Its much better than it was, say, 5 years ago. There are so many places to play now. But still, for most of us, we work other jobs and play music because we love it. In Xela, if you want to be a star its not going to work. You have to find your focus elsewhere. There have been plenty of times when I wanted to give up. Theres also a problem with the society here. Guatemalans in general lack solidarity, and thats what we need to progress as a profession - to share opportunities and contacts.
X: Do you write your own songs?
OM: About a third. There are plenty that I've written that I don't play in public.
X: But youve recorded some?
OM: Years ago, we used to have a band called Kenches. It was an Andean band, and we released four discs. I have a solo disc that you can buy around the place. Right now Im in the process of recording another one with the band.
X: How do you find recording as opposed to playing live?
OM: Its a slow process. Its taking months, but we want everything to be right. The other thing with the discs is that thats just the first step - all the distribution and promotion we have to do ourselves. We sell discs at our shows. Thats another example of how it would be good to work together - all these self-recorded discs around, we should be helping each other out.
X: And the radio?
OM: We dont get played much. One side of the problem is that radio is very corporate - if you're not signed with a label, you dont get played. Another side is that its commercial - radio plays what sells, and Trova isnt really pop music. Theres one station here - Radio Tulan (FM 101.1) that gives space to Trova music.


Ottos discs are on sale at La Luna cafe and El Cuartito. He plays regularly - for details, see our events section.


The Band
Fernando is their leader. He’s the one with the jutted chin who goes between looking like a hit-man and a lovesick romantic. On his right there’s back up singer Lorena and Gladis who specializes in odd, smaller-than-your-head percussive instruments and shaking her ass. To his left we have wind instrument Juan Carlos whose sax fits him better than a Lonely Planet in, well, your hands. Laying down a steady foundation upon which to jam is Juan Jose on bass and Hugo on congas, djembe and box. You might get lucky and see them play with guest artists from cellists to percussionists but those I have just named form the core of what is Sombrero Negro.
Fun Facts
They’re Rumba, they’re Cuban, they’re Bolero and they can pull off a passable salsa and tango. At their weekly shows though you’ll hear mostly cover songs along the lines of Gypsy Kings or Buena Vista Social Club that get vamped, revamped and then soloed upon by the whole crew until staying seated isn’t really an option. It’s been four years now since Fernando found his partners in crime Hugo and Juan Jose and those that came later have stuck with the exception of only a few. One of the more subtly impressive facts about the guys in SN is that they aren’t one trick ponies: Hugo is also a guitarist, JC plays wind instruments of all kinds, Gladys can play sax, and guitar and Fernando, well, he plays at least five instruments at a level that would drop the jaws of pros around the world. Their Royal Paris show comes as highly recommended as the place’s sandwiches but whether it’s there or La Luna you need to see these guys; it’s your duty.


Stati_k: L to R: Jorge Cruz (Bass), Tono (Guitar), LuisJo (Drums), Jorge (Vocals)
One of the big hits at this year’s music festival was local punk band Stati_K. XelaWho decided to get off its ass and finally do something resembling journalism, so we went and interviewed them.
 
Sussan Villagran is a young Quetzaltenango-based photographer who is about to launch her first solo show at El Cuartito. XelaWho caught up with her to rap a little about inspiration, method and door knockers.

 

XelaWho: Does your work have a theme?
Sussan: There’s a few that run through this show - it’s pretty diverse, really. There are landscapes and streetscapes, events and people. Some are black and white, others are in color. While I was walking the streets, I started to focus on old door knockers and doors, so there are quite a few like that.

X: The name of the show is Justo a Tiempo. Can you tell us a little about that?
SV: A lot of things happened at the last moment. For example, I took all my photos for the exhibition on film and then put them in to be developed, but then the developers ruined the film, so I had three days to take all the photos again. Also, I was sitting looking at a doorway trying to figure out which angle to shoot and a woman came out of the house and got suspicious. She told me she was going to call the police, then went back inside. I took the photo and walked off and a few seconds later she came out again to check on me, I guess.

X: Do you have a favorite photo in the collection?
SV: There’s one of an old man asleep on a street corner near my house - I love the expression on his face. For another, we climbed to the top of the bell tower in the Cathedral to photograph the bells. We were supposed to ask permission, but couldn’t find anybody so we went up. Then an old man who was selling candles told us to get out or we’d get in trouble, so we took the photo and left - another example of just in time.

X: You work in digital and on film?
SV: I like them both for different reasons. With film, you have the excitement of not really knowing how the photo is going to turn out - you have to wait for it to be developed. With digital there’s none of that, but you do have a lot more options and you can do a lot more things.

X: This is your first solo show. Are you nervous?
SV: I’ve been in group shows before, but yeah, of course. More than that, though, I’m curious to see how people will react and what they’ll think of my work.

Justo a Tiempo will be showing at El Cuartito (13 Av 7-09, Z1) from May 7 to June 7

 
XelaWho: How long have you guys been playing together?
Jorge: For about 2 years. Me and Luisjo are the original members- Tono joined a year ago and Jorge Cruz joined about 3 months ago.
X: Individually you all listen to different music, but which bands have been most influential for the group as a whole?
J: We all started off listening to Blink 182. When we were looking for a bassist, one of the reasons we picked JC was ‘cos he liked Blink.
X: Jorge, you list Shakira and Nelly Furtado as influences – how does this fit into the punk picture?
J: I listen to a lot of stuff and get my influences from all over. Music is music. If it’s good I like it.
X: What about the old punk bands, like the Sex Pistols and the Minutemen?
Tono: I like the Pistols and the Ramones. Luis Jo listens to a lot of the old stuff.
X: Who writes the songs?
J: We all do. Whoever has an idea brings it to the group and we all work on it, to fill it out. Nobody’s the main writer – we even all work on the lyrics.
X: And you play covers?
T: Some. We like to stay original, but we play songs by Fall Out Boy, Panda, Delux... One Eyed Chicken, which is a Guatemalan band.
X: You recorded a demo last year...
T: Yeah. We finished recording the weekend (Hurricane) Stan hit.
J: The idea was to get some radio airplay. We got a bit on a Coban station and a pirate station here in Xela which got shut down. Siglo 104 played us a few times. We’re planning on recording a better quality demo, so we get played more.
X: There don’t seem to be too many venues in Xela for punk music...
T: The problem with Guatemala is that people don’t support bands until they’re famous. Xela’s tricky, because punk is too different.
Luis Jo: Most of our gigs we get invited to play somewhere. We also try to play support for bigger bands when they come through. We’ve played with Legión and Visión Púrpura.
JC: Now there are a few places where we can play, like the skate park in Salcaja, but punk is part of a subculture here, so it’s hard to find a place.
J: Xela really needs more events like the music festival.
LJ: That’s right. They’re a great opportunity for people to get to know local bands and their music.
X: So where can people hear your music?
J: We’ve got our songs on our website: www.statikpunk.tk. Also if we have gigs coming up we advertise them there.
 
 
xelawho.com is the online version of XelaWho magazine.
XelaWho is produced and printed in Quetzaltenango (Xela), Guatemala,
with distribution in Xela, San Pedro La Laguna and Guatemala City.
If you have comments, suggestions or queries, please direct them to xelawho@gmail.com